Aku Eats Oahu

Alan Wongs, a closer look

Aloha!

11/1/08 - Exquisite. Classy. Flawless. Contemporary island-style at its very best. What else can I say? Alan Wong's restaurant on South King St. is the absolute epitome, the very embodiment of Hawaii Regional/Pacific Rim dining. The whole experience is like a finely-tuned Swiss watch; a sleek, jet-black, custom-designed Bentley; an engine purring along with such precision that it almost sounds natural, like a gently rolling wave or waterfall. The effortless ease in which it's all put together here is quite something to behold, for sure.

Alan Wong's is not one of those places where you feel as if a jacket and tie need be worn, nor feel nervous about using the right fork or spoon, nor about making the wrong gestures or improperly placing an elbow or two on the table. Instead of a whole lot of haughty, imperial high-mindedness, there is instead a casual ambience that allows plenty of room to relax, probably because of the pervading island-style feel, without compromising one bit of the sophistication and attention to detail found in any French, Pacific Rim, or upscale Steak House restaurant. Though undeniably cutting edge, with a brand of stylish, haute, fusion cuisine that could hold its own in any large city across the nation or around the world, the whole operation is never pretentious, and never, ever reaching, and never having to appeal to the cruder elements of flash, glitz, and buzz to try to attract more attention. The dishes are a quiet blend of perfection and beauty, with all the confidence of something that just is, not something that wants to become. And the great thing is, that the same amazingly impeccable form that has kept this restaurant at the top since its very inception well over a decade ago also brings with it a discipline to remain humble and attached to its island roots and culture.

The very location on one-way South King St. is humble-looking, indeed, occupying a small building just before Pumehana St., and then the more well-known McCully St. shortly thereafter. The parking situation is valet only, unless you want to find a space somewhere on the road. However, at a mere $3 charge (without tip), and just for the fact that, hey, this is Alan Wong's, you may want to cloak the entire evening in style and let the guys deal with parking for you, instead.

shot of the building
 
A closer look at the street-level entrance reveals an elevator just behind the doors, which takes you right up to the restaurant itself.

entrance shot
 
Upon arrival at the top floor, you'll see that the restaurant is not designed with a whole lot of flash, but a simple sophistication, with warm tones, bold lines, and a touch of island goodness woven throughout. The wide-angle shot of the kitchen stands out prominently, while there are no shortage of workers on both sides of the divide, busily attuned to their many tasks at hand.

inside shot
 
Wifey and I were ushered in to a quiet spot, where we weren't in any hurry at all, believe me, both of us wanting to soak in the moment for just as long and just as deep as possible. Leisurely scrolling through the standard menu, which featured only eight selections, there was also a rotating, daily-special menu offering many more choices, such as a red Thai curry bisque, Kona-raised halibut, Maui Cattle Company rib-eye steak, and a much-diferent "locomoco" than we're all used to, coming with mochi-crusted unagi (eel) meatloaf, quail egg, and wasabi kabayaki sauce. The main menu came with such tried-and-true items as a steamed shellfish bowl featuring lobster, dungeness crab, scallop, shrimp, and clams (no cheap squid - yes!), steamed opakapaka, ginger-crusted onaga, macadamia nut/coconut-crusted lamb chops, and twice-cooked, braised shortrib, a staple of just about every Pacific Rim restaurant.

The appetizers looked very interesting, with perhaps the most famous selection, Da Bag, a most tempting choice, indeed, coming as a generous portion of steamed clams, kalua pig, and shiitake mushrooms placed in a foil bag. Poor me, I still haven't tasted it yet, despite the raves I constantly hear about it. The new wave opihi (Hawaiian limpet) shooter was pleasantly surprising to see on the menu, coming in spicy tomato water infused with fennel, basil, ume, and shiso essences, as was the Big Island abalone with Hamakua Eryngi mushrooms and a drizzling of negi oil. Hot, rice-less "California" rolls were even more interesting, constructed with a baked lobster mousse wrapped in nori and a crab/avocado stuffing. Then there were also favorites like Hudson Valley foie gras, nori-wrapped ahi tempura, roast duck nachos, and more.

As good as everything sounded, wifey and I decided instead, what the heck, we may as well go all the way, straight to the top, with the whole shebang - a seven-course tasting menu! Nothing's better at any fine restaurant than trusting the chef to put together a whole slew of feature dishes, each working harmoniously in a specific order to maximize the experience and offer more variety. Imagine the magic that happens when Chef himself whips up a total of seven different dishes, each one paired with Wine Director Mark Shishido's matching selections, and each one designed to build off of eachother, purposefully leading to an intense climax of complementing flavors, all appealing to the finer, more subtle, more skillfully percieved perceptions that emanate from true artisanship and pride of craft. Whoops... of course, we didn't know all that yet! I'm just falling all over myself with excitement, is all, not quite able to hold back until the appropriate time. Leaking everywhere, I am.

While Wifey went with wine pairings, for $135, I, myself, stuck to a food-only offering, at $95. I just don't much care for wine, that's all.

Or do I.....?

Hmmmm.....

Instead, I ordered Alan Wong's favorite beer, a Japanese import called Koshihikari, from the Echigo Beer Company. If you favor Bud Light, Coors, Miller Genuine Draft, and other light-tasting beers, this pour is the ultimate step-up for you. It is just about the smoothest beer on the planet, which also means that it can appear a bit weak for some. Unlike the examples above, which are inexpensive and but mere steps above water, Koshihikari does have body and a sweet, lasting after-taste associated with good quality. When looking for a super-light hoppiness that won't overpower any dishes in the least, this is a great choice.

echigo beer
 
Before our first of seven courses arrived, we were given warm bread and a small dish of mustard-chili aioli, a nice departure from the standard butter given elsewhere. It was creamy and smooth, not highly flavored nor overly spicy, just a kind of mellow taste to whet (sharpen) our appetites before the real show arrived.

mustard
 
I liked the fact that when our dishes did come, they often came via different "runners," or people other than our kind waiter alone. I'm not sure if these guys have a specific title or not, but in my opinion, this is a much more effective means. You could always see one or two of them lined up near the kitchen, waiting for completed dishes to come out. As soon as they hit the counter, these "runners" made sure that no one waited very long. Not that waiters are incapable of the same, but it's often their responsibility to spend time with guests, as well, which means they could be a bit tied up at times.

The first of seven courses was an attractive, squared-glass of raw Big Island-raised butterfish (first time I've had butterfish sashimi!), raw uni, and cooked lobster tail, all sitting on an abalone gelee and topped with a few very pretty varieties of gourmet-type greens.

The great attention to detail was evident in every aspect of this cold seafood salad, from its fresh, vibrant, locally grown greens to the slightly briny, clean taste of abalone and silky, yet firm texture of gelee on the bottom. The strong, pungent uni (sea urchin) is not exactly a dish for everyone, including myself, so I had to mix it in with butterfish and gelee to mellow it down a bit. Hey, anyone that gets me eating the stuff must be doing a heck of a job, for sure! Being a normally uni-averse person, I referred to wifey on the matter, who confirmed that the soft innards of this prickly creature was indeed about as fresh and delicious as they come. No such referrals were needed, however, with the lobster! Plucking the small portion of tail out and cutting it into several pieces, I savored each and every morsel of its tender, perfectly cooked, slightly salted flavors all by themselves. Fabulous.

sea salad
 
Next up was a play on soup-and-sandwich, only this was no Campbell's chicken noodle and sliced turkey on Love's bread. A martini glass of reddish-orange and yellow tomato soup was separated by color into a cool Town and Country logo design (or the infinity sign, if you want). On top was a thin, crispy strip of grilled mozzarella cheese followed by the sandwich portion, which was filled with a rich foie gras/kalua pig combination. It was paired with a Henriot Souverain Brut champagne. Though wifey alone ordered the pairings, I, in my inquisitiveness, had a tiny sip of each one, as well.

This second course was perhaps the funnest and quirkiest of the evening, with elements that did mimic the savory liquid of soup and the body of a sandwich, only with more contrast. Much more contrast. First of all, the tomato soup was not hot but cool and refreshing, sweet but with a little bit of tartness, while the crispy layer of mozzarella played the part of another matching ingredient - potato chips! The sandwich was wrapped in a "bread" that was predominantly moist, but with just the right texture outside to loosely shadow a grilled cheese sandwich, while the inside, filled with foie gras and kalua pig, was meaty, super-rich, and super-delectable. And to put all of these competing personalities into one classy dish? Ve-ry happening...

Two courses into this meal, and I was already blown away.

soup n sand
 
The third round up was another interesting combination of three main items I've never seen used together before, each of them worthy in themselves, and each bringing to the table strong, resonant attributes and tastes. It was called a blank-blank-blank terrine, which is basically a French earthenware container used to cook items shaped into its mold. A simpleton like me would call it meatloaf, but don't ever tell Chef Alan that.

Ok, ok, I'll get to the three main ingredients already! Here we had a mix of unagi (eel), foie gras, and pork hash. Now, pork hash is strong enough in itself, but in this particular dish it could actually serve as a mellowing agent to the other two! Taken all together, they blended seamlessly into yet another creatively decadent course.

rich loaf!
 
But the big story along this particular step of the way was the pairing. It was a German Riesling Kabinett, 2007, of the Leitz Rudesheimer Klosterlay variety. Wifey was instantly impressed with this choice, while I, in my lack of enthusiasm for wine, was blaise-blaise - at least until the very moment it hit my nasal passages, that is! Right off the bat, I sensed something different from this particular pour. It was much cleaner and much more elegant than any wine I've ever had before, with a natural sweetness that caught me completely off-guard. The taste was just as pleasantly appealing as the smell, smoothly rolling down my throat with the greatest of ease. Quite surprisingly, and for the very first time in my life, I honestly enjoyed a glass of wine, savoring each lingering sensation it brought to my tongue!

"Very different," I thought. Very different, indeed.

Have I really arrived at that point where I could finally begin appreciating what I have long been envious of? First, it was hops and barley - through beer, that is, then rice, through sake - was it finally time to start recognizing and acknowledging the fine art of grape fermentation? Or, was this a fluke, a one-time, perhaps alcohol-induced abberation?

It's just that, way back in high school, I may have been scarred by a series of bad experiences. Weekend after weekend, our certain clique of friends would meet at a particular house to party the night away. Like clockwork, after 12am, when alcohol could no longer be purchased, we'd begin raiding the mom's stash of cheap wine - warm, and right from the box and spigot. Abhorrent, it was, but still, we kept drinking it, completely disregarding the sour, rancid taste that would linger on, right through 'til the next morning, when things got reeeally bad! Eventually, we stopped going there altogether, but by then my loathing of wine had already entrenched itself firmly around my young palate.

I guess it took many, many years of rehabilitative coaxing, along with the combination of Alan Wong's fine cuisine and Mark Shishido's excellent pairings, to once and for all bring healing to this once-deprived soul! I think I can finally begin to see the light of yet another art form, yet another world of appreciation that will add that much more interest and depth to my ever-growing love for the complete dining experience! We'll see in the days ahead what this leads to, but one thing is for certain, and that is, that I will forge forward on this matter with great anticipation. I'll probably start by talking to Big Al, who already has the nose and palate for fine wines. He'll certainly be amused that I'm now a convert!

Anywayz, we'd better move along. We're not even half-way there yet!

Next up was a steamed Kona Kampachi with truffle risotto flan. Risotto and flan? I was left wondering if it would be sweet or savory, and whether it was Italian, French, or Asian-influenced - you never know at a modern fusion restaurant! It actually turned out being very Asian in taste, with the flaky-white, super-clean taste of steamed kampachi being a welcome departure from the fatty-richness of previous dishes. The "flan" was not sweet at all, but savory, and more like a Japanese zosui than anything else, with a slight dashi flavor and taste of dried scallops throughout.

kampachi
 
The fifth of seven courses was a Kona abalone and lobster combination, coming with Hamakua Eryngi mushrooms and drenched in negi (green onion) oil. As the earlier lobster, this one was perfectly-cooked, tender, and sweetly succulent, while the firmer, crispier abalone was equally sweet and almost like a combination of cooked tako (octopus) and clams, only much, much cleaner. Another winner entry, it was paired this time with not a wine, but a Yuki no Bosha Sake, of the Junmai Ginjo class.
 
lobster

The main course of the evening was a choice of two different steaks. Wifey went with a North Shore Cattle Company tenderloin of beef, which sat in a chili cilantro chimichurri and a medley of Asian vegetables. I'm not exactly the biggest fan of chimichurri, but the steak was fork-tender and delicious. It also came beside a croquette ball of Big Island goat cheese and potato.

her steak
 
My main course was a cut of fatty Wagyu beef. I had no idea that it came at an extra charge of $35, on top of the original $95. Oh, well.

Even though the few experiences I've had with steak-cut (thick) Wagyu beef have not been the best, I decided to go with it anyway - Alan Wong's, you know... It's just that even at fine restaurants this luxurious meat is often cooked like any other steak, and left on the grill much too long. This causes the delicate fats, which are not your normal, hardier variety of fats, to quickly leach out of the meat, rendering it almost to the point of sirloin. Talk about defeating the whole purpose! Thin-cut, yakiniku-style, where the meat is literally cooked for a few seconds on each side, is best to take advantage of this expensive delicacy and, to me, one of a handful of favorite dining experiences I've encountered thus far.

In the case of thicker cuts of high-quality Wagyu, like the ones served here at alan Wong's, never, ever, should they be eaten well-done, or even medium, but always rare or medium-rare. This allows it to maintain its insanely high fat content, the most important aspect of this type of meat, and the biggest factor setting it apart from others. And sure enough, in another of a series of first's for me, this thick cut was cooked perfectly, on high heat and seared quickly, with the insides still pinkish-red and absolutely oozing with tender, fatty goodness. Bad for the body, maybe, but good for the soul!

For a further look into Wagyu (Japanese) beef, including the legendary Kobe and others, check out the Yakiniku section.

The Wagyu steak itself, like wifey's tenderloin, rested upon a bed of the best marinated Japanese ferns I've ever had in my life! As side-dishes, I loved the combination of different mini-towers constructed on the same oblong plate, all of which sat upon a base of lightly-grilled yamaimo medallions, or Japanese mountain potato. The discs were light, crisp, and refreshing, with that most yamaimo-like quality of sliminess that gave it yet another interesting contrast in texture.

The first tower, in the foreground, was a blend of vegetables in a kimchee sauce that came spicy, sweet, and savory all at the same time. In the middle sits a few whole, braised garlic cloves, while the far background contains shelled edamame pieces tossed in a kind of Hawaiian/Asian salsa. And for a touch of zest and a cool decoration, a whole calamansi lime was sliced into two pieces.

my steak
 
Both main dishes were enough to put us over the top, but there was yet dessert! Each of us had a trio of different sweet-treats, for a total of six different items. Unfortunately, I wasn't able to take any good pics before something melted or some other technical issue, such as bad lighting or inadequate focus, got the best of me. I'll leave you with just one of these problem shots, a faux coconut with coconut sorbet and a chocolate-nut shell, along with a variety of different glazed fruits.

dessert
 
The night sure costed us a pretty penny, but for such an exquisite meal, I'd do it all over again, no reservations. After three whole hours of surpassing every culinary expectation I've ever had, I've confidently come to the conclusion that Alan Wong's restaurant on South King St. really does live up to the hype. Passing by the massive walls of awards, I happened to fixate upon an issue of Gourmet Magazine's top 50 restaurants in America, where Alan Wong's placed sixth and eighth on two separate years. I asked one of the managers if that was the highest rank a Hawaii restaurant has ever achieved, to which he politely replied "We are the only Hawaii restaurant to ever place there!" ... Oh...Kay!

Locally, it has swept up so many Ilima, Hale Aina, and Honolulu Magazine Awards that the only surprise is when they don't win, a situation that doesn't come very often. All I can say, is that even if you gotta put away ten or twenty bucks every paycheck, you owe it to yourself to come give it a try at least once in your life.

I'll leave you with a parting shot of the menu, this time from the outside, since I've already given you a taste of the inside.

Hope you all are having a most enjoyable day! Still groggy from last night's Halloween reveling, are we?

Take care and aloha till next time, anywayz!

Aku

menu
 
 
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